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The Crayon Blog

Big data’s next frontier: Crowd-testing fiction

Industry Articles | Published January 10, 2014  |   Tejeswini Kashyappan

Creative writing is dying, if not dead,” moaned one commenter, and he wasn’t alone. The story that provoked this particular episode of hand-wringing appeared in the New York Times’ Bits blog, and had to do with the ability of new e-book subscription services like Oyster and Scribd to track their members’ reading habits. If authors are armed with data about, for example, whether readers finish a book — and the exact point at which they abandon it if they don’t — then, wrote David Streitfeld, they “can shape their books to please their readers more.”

E-book retailers like Amazon and Barnes & Noble have been collecting information like this for a while now, but they keep it to themselves. Oyster and Scribd — no doubt aware that these days there’s much more money to be made from people’s fantasies of becoming successful authors than there is from actually selling books to readers — have said they are willing to share the data they gather, presumably for a fee. And authors, especially self-published authors, are very interested. Quinn Loftis, a self-published author of YA fiction who reportedly makes a “six-figure annual income” from her books, told Streitfeld, “If you write as a business, you have to sell books. To do that, you have to cater to the market. I don’t want to write a novel because I want to write it. I want to write it because people will enjoy it.”

That’s the sort of statement that inevitably cues a chorus of laments about the decline of Western Civilization in general and literature in particular. Not to mention the predictable dumb jokes about how it’s a good thing that some past great (Shakespeare or Joyce usually) isn’t around to see their work degraded by such fads.

Read More

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The Crayon Blog

Big data’s next frontier: Crowd-testing fiction

Industry Articles | Published January 10, 2014  |   Tejeswini Kashyappan

Creative writing is dying, if not dead,” moaned one commenter, and he wasn’t alone. The story that provoked this particular episode of hand-wringing appeared in the New York Times’ Bits blog, and had to do with the ability of new e-book subscription services like Oyster and Scribd to track their members’ reading habits. If authors are armed with data about, for example, whether readers finish a book — and the exact point at which they abandon it if they don’t — then, wrote David Streitfeld, they “can shape their books to please their readers more.”

E-book retailers like Amazon and Barnes & Noble have been collecting information like this for a while now, but they keep it to themselves. Oyster and Scribd — no doubt aware that these days there’s much more money to be made from people’s fantasies of becoming successful authors than there is from actually selling books to readers — have said they are willing to share the data they gather, presumably for a fee. And authors, especially self-published authors, are very interested. Quinn Loftis, a self-published author of YA fiction who reportedly makes a “six-figure annual income” from her books, told Streitfeld, “If you write as a business, you have to sell books. To do that, you have to cater to the market. I don’t want to write a novel because I want to write it. I want to write it because people will enjoy it.”

That’s the sort of statement that inevitably cues a chorus of laments about the decline of Western Civilization in general and literature in particular. Not to mention the predictable dumb jokes about how it’s a good thing that some past great (Shakespeare or Joyce usually) isn’t around to see their work degraded by such fads.

Read More

Subscribe to the Crayon Blog. Get the latest posts in your inbox!

The Crayon Blog

Big data’s next frontier: Crowd-testing fiction

Industry Articles | Published January 10, 2014  |   Tejeswini Kashyappan

Creative writing is dying, if not dead,” moaned one commenter, and he wasn’t alone. The story that provoked this particular episode of hand-wringing appeared in the New York Times’ Bits blog, and had to do with the ability of new e-book subscription services like Oyster and Scribd to track their members’ reading habits. If authors are armed with data about, for example, whether readers finish a book — and the exact point at which they abandon it if they don’t — then, wrote David Streitfeld, they “can shape their books to please their readers more.”

E-book retailers like Amazon and Barnes & Noble have been collecting information like this for a while now, but they keep it to themselves. Oyster and Scribd — no doubt aware that these days there’s much more money to be made from people’s fantasies of becoming successful authors than there is from actually selling books to readers — have said they are willing to share the data they gather, presumably for a fee. And authors, especially self-published authors, are very interested. Quinn Loftis, a self-published author of YA fiction who reportedly makes a “six-figure annual income” from her books, told Streitfeld, “If you write as a business, you have to sell books. To do that, you have to cater to the market. I don’t want to write a novel because I want to write it. I want to write it because people will enjoy it.”

That’s the sort of statement that inevitably cues a chorus of laments about the decline of Western Civilization in general and literature in particular. Not to mention the predictable dumb jokes about how it’s a good thing that some past great (Shakespeare or Joyce usually) isn’t around to see their work degraded by such fads.

Read More

Subscribe to the Crayon Blog. Get the latest posts in your inbox!

The Crayon Blog

Big data’s next frontier: Crowd-testing fiction

Industry Articles | Published January 10, 2014  |   Tejeswini Kashyappan

Creative writing is dying, if not dead,” moaned one commenter, and he wasn’t alone. The story that provoked this particular episode of hand-wringing appeared in the New York Times’ Bits blog, and had to do with the ability of new e-book subscription services like Oyster and Scribd to track their members’ reading habits. If authors are armed with data about, for example, whether readers finish a book — and the exact point at which they abandon it if they don’t — then, wrote David Streitfeld, they “can shape their books to please their readers more.”

E-book retailers like Amazon and Barnes & Noble have been collecting information like this for a while now, but they keep it to themselves. Oyster and Scribd — no doubt aware that these days there’s much more money to be made from people’s fantasies of becoming successful authors than there is from actually selling books to readers — have said they are willing to share the data they gather, presumably for a fee. And authors, especially self-published authors, are very interested. Quinn Loftis, a self-published author of YA fiction who reportedly makes a “six-figure annual income” from her books, told Streitfeld, “If you write as a business, you have to sell books. To do that, you have to cater to the market. I don’t want to write a novel because I want to write it. I want to write it because people will enjoy it.”

That’s the sort of statement that inevitably cues a chorus of laments about the decline of Western Civilization in general and literature in particular. Not to mention the predictable dumb jokes about how it’s a good thing that some past great (Shakespeare or Joyce usually) isn’t around to see their work degraded by such fads.

Read More

Subscribe to the Crayon Blog. Get the latest posts in your inbox!